Aura Elena Murillo Pérez

I'm a Mexican Experience and Emotion Designer with projects developed in Mexico, Copenhagen, Barcelona, Italy, Japan, Thailand, Taiwan, London, and Singapore. My work focuses on the intersection between design, art, and science with a strong focus on reflecting on social topics and human behavior to create and enhance meaning.

Experience

ONEROOM Gallery, London (2021) - Assistant Curator

ELISAVA Research, Decoding Well-Being, Barcelona (2019): Research in design and emotions

Normann Copenhagen, Copenhagen (2018) - Design Internship

Education

MA/MSc Global Innovation Design - Royal College of Art and Imperial College London (2020-2022)

Bachelor in Industrial Design - Universidad Nacional Autónoma de México (2014-2020)

Academic Exchange - Norwegian University of Science and Technology (2017-2018)

Features

Upcoming:

Art Activism Festival (Co-curator) - MAN-NTU and TenSquare Singapore (November 2022)

Private View of the Summer Exhibition - Royal Academy of Arts London (August 2022)

Tide, permanent sculpture - National Science Museum of Thailand, Bangkok

Elemental, temporary sculpture (2022-2026) - National Science Museum of Thailand, Bangkok

YODEX, Taiwan Young Designers’ Exhibition 2022 - “MORTEM” and “Resting Reef”, projects exhibited

MORTEM, A new take on death: Exhibition - ONEROOM Gallery (January 2022)

MAN - NTU Singapore, Curatorial project on death at a 15m long screen (January-February 2022)

DLX, Treasure Hunting - Tokyo Design Lab, Saku

The Future Happened: Designing for the future of music - LADdesign, CCA Design Futures Lab, Museum of Design Atlanta (MODA)

YODEX, Taiwan Young Designers' Exhibition 2021 - "Analogy of a femicide", Project exhibited

Achievements

Winner of the RCA x IFF project collaboration - Lucidity (2022)

Featured in Dezeen, The Fast Company, Yanko Design, Wallpaper*, Design Week, Marie Claire, and more - Resting Reef (2022)

Bloomberg Legal & Compliance Pro Bono Program - Resting Reef (2022)

The Mayor's Entrepreneur Competition Semifinalists - Resting Reef (2022)

Terra Carta Design Lab Selected Finalists - Resting Reef (2022)

WE Innovate, Imperial Enterprise Lab - Resting Reef (2022)

Contact

Degree Details

Add to contacts

My work has focused on discovering and understanding some of the "Intangibles" design has and how they can influence positively our life. These intangibles are the emotions and feelings we undergo, the experiences we live, our innate appreciation for beauty, and the meaning-making processes defined by our social semiotics and collective behaviors.

For me, it is important that every project has a balance between rigor and poetic. This way of approaching my projects led me to explore Exhibition Design and Curation as mediums to showcase my work.

During my Master’s I also started studying death as it is one of the most traumatic events that happen in people’s life. My research developed into my first exhibition and it continues until today with my Major Project Resting Reef.

If you want to know more about my vision in design and why is it important, you can download my dissertation (awarded distinction from the RCA!) here.

Resting Reef is a memorial service and new eco-burial alternative that aims to redefine our approach to death and at the same time, restore marine biodiversity. We do this by offering people the possibility to create a reef structure with their ashes.

The project was a finalist in the Terra Carta Design Lab (initiated by Prince Charles and Sir Jony Ive), and a semi-finalist in the Mayor's Entrepreneur Competition (Sustainability) and the We Innovate accelerator programme from the Enterprise Lab at the Imperial College London.

Oyster Reefs — One of the world's most severely threatened marine habitats is native oyster reefs with 85% of them being lost due to human activities. There are multiple benefits to restoring these reefs including coastal protection, increased biodiversity, clearer water, and carbon storage.

A unique formula — Our bones are made with the same component that is the main fertilizing nutrient in our oceans: phosphorous. On the other side, we have oyster shells as waste from the food industry. If we mix human bone ash with crushed oyster shells, we can create a unique formula that can be 3D printed into oyster reefs, that can then be placed in the ocean floor to boost biodiversity.

Resting Reef's human-centered service — A holistic and meaningful service to help people plan, face, and cope with the challenges brought by death while reinforcing Resting Reef’s mission to regenerate marine life.

To get to the final proposal, the project followed an overall human-centered design and research-informed design approach with the following phases: Discovery, Definition – Primary Research, and Outcome Ideation and Development. Throughout the process, I approached several experts such as a counselor, a thanatologist, Funeral Directors, and potential future customers from different age ranges.

4 key elements — The experience flow is designed around 4 elements: A planning ahead online tool, our Blooming Box, a memorial ceremony at Resting Reef's site and a memento for people to take home and come back to it when they think of their loved ones.

Resting Reef's memorial ceremony — Our ceremony is designed to happen at the coast, where the sensorial elements of the waves will guide the process to create a natural, almost-meditative connection with the environment. People will be able to reflect on their loved one that passed away, release messages to the ocean, and celebrate their loved one's life by planting flowers.

Download "Research Report" (PDF)

Download the Research Report to know more about the process followed to successfully develop the human-centered part of the project.

In Collaboration with:

Louise Skajem

MORTEM is a sensorial and intimate exhibition I designed, curated, and produced at ONEROOM Gallery in Shoreditch London. It proposes a new perspective toward death with four different design interventions: Allowing ourselves to feel, Fear of death, Celebrating life, and an exploration of the afterlife, in conversation with art pieces from multidisciplinary artists and designers. Photo by Ahad Mahmood.

In order to create a multisensorial exhibition and experience the topic in unexpected and enriching ways, 4 artists were invited to question their own experiences with death and exhibit their work. MORTEM extended to the audience as an exploration, halfway between personal memory and collective experience with an open exhibition full of emotions, intimacy, and complicity.

Allowing ourselves to feel — This intervention challenges the emotional censorship of death by presenting the benefits of crying and releasing our emotions in 3 interventions together with sculptures from Mae Chan that “introduce the subtle yet powerful emotions of hugs through tactile dynamic forms”. Photos by Marco Da Re and Ahad Mahmood.

Fear of Death — For the second intervention, 18 participants share their stories and the degree of their fear of death. The different results were presented in glass vases replicating urns with ashes together with testimonials and a sound piece by the media designer Shirui Yang. Photos by Marco Da Re and Ahad Mahmood.

Celebrating life — It is true that death hits hard and hurts a lot, and that at that moment, the desire to smile and move on is almost impossible, but death also gives the opportunity to make a retrospect of a person's life, honor the good experiences that happened and be aware of the fortune of being alive. For the exhibition, perfumer Marco Ferraro proposes 2 different scents that represent some of the most important moments of life: hugs and kisses. Photos by Marco Da Re and Ahad Mahmood.

Afterlife — The work by the artist Pierre Engelhard in collaboration with Nicola Clifton explores the afterlife perspective from Southeast Asia. It represents the path from the underworld, usually represented with water elements, to earth with mandala representations of the cosmos, and finally the achievement to enlightenment. Photo by Marco Da Re.

In parallel with the MORTEM exhibition happening in London, an opportunity to collaborate with the Nanyang Technological University in Singapore to create an audiovisual piece meant the possibility of creating a parallel exhibition in Singapore exploring another perception of death based on the beliefs of the South-Eastern world. Video edited by Pierre Engelhard.